The Wilbert Dunlevy Himmelfarb Presentation Festival of
Undergraduate Research is held every year in mid-to late March, depending on
when spring break ends and Easter occurrs, on the main campus of Arbor State University.
This year, it landed on March 21 through 23, 1984. Sponsored by the Albert Kahn
School of Arts and Sciences, the festival took over almost an entire floor of
the Modern Language Building, with programming running concurrently in more
than two dozen classrooms. Drawing from all the satellite campuses including my own extension
in midtown Detroit, the programming featured mostly seniors giving brief synopses
of the senior theses they had completed during the fall semester, but ambitious
underclassmen could also enter to showcase their research projects.
Showing posts with label Simon. Show all posts
Showing posts with label Simon. Show all posts
Friday, August 14, 2020
Friday, May 8, 2020
#63: The Snows of State Fair Avenue
“Wait a minute!” cried Yarn Man. “How do we know it’s really the Silver Age Megaton Man and the Mod Puma the Time Turntable has brought back from another dimension—and not just a couple o’ crummy imposters?”
The Mod Puma turned and glared at him. “Bing, how would you like the polka dots on your boxers to migrate up to your eyeballs?” Feline-like, she lunged off the turntable and into the snow, executed a few practice karate kicks with her taloned feet, and held her clawed hands stiffly in front of her face, ready to chop.
Yarn Man grimaced and covered his groin with his red mittens. “That’s the real Mod Puma, all right,” he conceded.
The psychedelic cat relaxed her stance. “I thought so,” she said.
The Mod Puma turned and glared at him. “Bing, how would you like the polka dots on your boxers to migrate up to your eyeballs?” Feline-like, she lunged off the turntable and into the snow, executed a few practice karate kicks with her taloned feet, and held her clawed hands stiffly in front of her face, ready to chop.
Yarn Man grimaced and covered his groin with his red mittens. “That’s the real Mod Puma, all right,” he conceded.
The psychedelic cat relaxed her stance. “I thought so,” she said.
Friday, September 20, 2019
Tuesday, December 18, 2018
Return to Ann Arbor: Clarissa Sketches and Swipe Gallery!
I've been thinking a lot about the period in the Megaton Man narrative when I moved the characters to Ann Arbor in Return of Megaton Man #1 (Kitchen Sink Press, July 1988). I've blogged elsewhere about how a regrettable "nuclear-option" dispute with my publisher, including the dictate that henceforth all iterations of the Megaton Man series be re-numbered #1 for my perceived lapses and transgressions, eventually soured me on continuing with the character, at least at that fabled arthouse boutique publisher.
While I could never reconstruct, story-wise, every nuance of what I might have had in mind in the late 1980s, there are clearly a lot of untold stories from that era, particularly of the early career of Ms. Megaton Man, who gained her powers in the first Megaton Man one-shot, Megaton Man Meets the Uncategorizable X+Thems #1 (Kitchen Sink Press, April 1989), and the early childhood of Simon Phloog, result of the union between Megaton Man and the See-Thru Girl. In particular, there are some interesting aspects to the "Civilian" life of Trent Phloog (Megaton Man's non-Megapowered alter ego) that particularly interest me.
Many of the following pencil sketches and studies, for the most part, were drawn recently with that Ann Arbor milieu in mind. Others refer to more recent cultural disturbances, particular a despicable Right-Wing movement among mainstream comics creators. Some of these feature an added layer of referring to various iconic covers from the history of comics or pulp adventure.
Getting to know you: Potential licensors of the Megaton Man property balked when they actually read the comics, particularly sequences like the one immediately below showing Megaton Man's secret identity, Trent Phloog, living with the unwed but pregnant mother-to-be of his child, and a slightly salacious young female roommate, in a communal house in Ann Arbor:
More on ComicsBait!
While I could never reconstruct, story-wise, every nuance of what I might have had in mind in the late 1980s, there are clearly a lot of untold stories from that era, particularly of the early career of Ms. Megaton Man, who gained her powers in the first Megaton Man one-shot, Megaton Man Meets the Uncategorizable X+Thems #1 (Kitchen Sink Press, April 1989), and the early childhood of Simon Phloog, result of the union between Megaton Man and the See-Thru Girl. In particular, there are some interesting aspects to the "Civilian" life of Trent Phloog (Megaton Man's non-Megapowered alter ego) that particularly interest me.
Many of the following pencil sketches and studies, for the most part, were drawn recently with that Ann Arbor milieu in mind. Others refer to more recent cultural disturbances, particular a despicable Right-Wing movement among mainstream comics creators. Some of these feature an added layer of referring to various iconic covers from the history of comics or pulp adventure.
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| Megaton Man™ and the Human Meltdown™ go at it as Ms. Megaton Man stands by. This is an homage to the cover to Philip Jose Farmer's A Feast Unknown (Playboy Press, 1980) by Jordi Penalva, which features a surrogate Doc Savage and a surrogate Tarzan going at a hightly homoerotic tussle. ™ and © Don Simpson 2018, all rights reserved. |
Getting to know you: Potential licensors of the Megaton Man property balked when they actually read the comics, particularly sequences like the one immediately below showing Megaton Man's secret identity, Trent Phloog, living with the unwed but pregnant mother-to-be of his child, and a slightly salacious young female roommate, in a communal house in Ann Arbor:
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| Clarissa and Trent meet, from Return of Megaton Man #1 (Kitchen Sink Press, April 1988).™ and © Don Simpson 2018, all rights reserved. |
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| Clarissa James pencil drawing, 2018. ™ and © Don Simpson 2018, all rights reserved. |
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| Clarissa James pencil drawing, 2018. ™ and © Don Simpson 2018, all rights reserved. |
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| Clarissa James pencil drawing, 2018. ™ and © Don Simpson 2018, all rights reserved. |
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| Pammy Jointly, dressed as she would be as a housemate of Trent, Stella, and Clarissa in Return of Megaton Man. ™ and © Don Simpson 2018, all rights reserved. |
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| Pammy and Stella in Ann Arbor. From The Return of Megaton Man #1 (Kitchen Sink Press, April 1988). ™ and © Don Simpson 2018, all rights reserved. |
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| Original pencil sketch of the above. Clarissa James pencil drawing, 2018. ™ and © Don Simpson 2018, all rights reserved. |
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| Original pencil rough of the above (can't get enough beating up White Apartheid Neo-Nazis!). ™ and © Don Simpson 2018, all rights reserved. |
More on ComicsBait!
Saturday, November 24, 2018
Comics-Haters Beware: MsMM is an SJW!
One of the more perverse trends of our time has been the emergence of the thuggish Comics-Hate, a group of disgruntled former mainstream superhero writers and artists whose fifteen minutes of perpetuating corporate-owned trademarks expired before they wanted it to (too bad, too - now we'll never get to see mainstream characters beating up migrant caravans of homeless refugees fleeing persecution at the southern border or extinguishing peaceful candlelight vigils in front of Jefferson's Rotunda on the campus of the University of Virginia in Charlottesville).
Wrongfully attributing the short life-expectancy of their careers to inexorable demographic trends, Comics-Hate's favorite target for bullying has been those they deem "Social Justice Warriors" - a tag that forms the conveniently anti-Semitic-sounding acronym "SJW" - a pejorative they apply indiscriminately to anyone who wants comics to move into the twenty-first century and reflect the world we live in. Their faith in the free market is such that they announce boycotts and issue threats of violence to those who've "adulterated" their friendly little hobby.
Clarissa James, who has been around since 1985 (Megaton Man #4, to be exact), has something to say to the Death-Zombies of Comics-Hate: we have already displaced you. You are completely superfluous; please curl up under the rock you crawled out from under (or return to your parents' basement).
__________
Be a Social Justice Warrior and read the YA prose Ms. Megaton Man™ Maxi-Series! New oppression-bashing chapter each week!
__________
All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2020, all rights reserved.
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| Social justice? No, Ms. Megaton Man just likes shattering skeletons! ™ and © Don Simpson 2018, all rights reserved. |
Wrongfully attributing the short life-expectancy of their careers to inexorable demographic trends, Comics-Hate's favorite target for bullying has been those they deem "Social Justice Warriors" - a tag that forms the conveniently anti-Semitic-sounding acronym "SJW" - a pejorative they apply indiscriminately to anyone who wants comics to move into the twenty-first century and reflect the world we live in. Their faith in the free market is such that they announce boycotts and issue threats of violence to those who've "adulterated" their friendly little hobby.
Clarissa James, who has been around since 1985 (Megaton Man #4, to be exact), has something to say to the Death-Zombies of Comics-Hate: we have already displaced you. You are completely superfluous; please curl up under the rock you crawled out from under (or return to your parents' basement).
__________
Be a Social Justice Warrior and read the YA prose Ms. Megaton Man™ Maxi-Series! New oppression-bashing chapter each week!
__________
All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2020, all rights reserved.
Sunday, November 18, 2018
Divest of Whatever: Clarissa Called Out!
Being a true Megaheroine has nothing to do with "Staying in your lane," "Looking like me," or "Getting woke!" - as Ms. Megaton Man can tell you. It's about being true to yourself and doing your own thing, and letting other people mind their own business.
So, Clarissa has some advice for all those folks who want to call her out and tell her what to do and how to be: "Bite me!"
My characters are all about finding themselves, casting off labels, and breaking molds. If you want the generic, focus-grouped, pre-programmed -- there are other plenty of other franchises to turn to. Leave my Megaverse alone!
And Happy Thanksgiving! -- Don Simpson.
[Recent sketches from the ol' drawing board!]
So, Clarissa has some advice for all those folks who want to call her out and tell her what to do and how to be: "Bite me!"
My characters are all about finding themselves, casting off labels, and breaking molds. If you want the generic, focus-grouped, pre-programmed -- there are other plenty of other franchises to turn to. Leave my Megaverse alone!
And Happy Thanksgiving! -- Don Simpson.
[Recent sketches from the ol' drawing board!]
Friday, November 16, 2018
Clarissa James, Social Justice Warrior!
Update: April 11, 2020:
Here's the inking and coloring of a drawing that began as a sketch in 2018, and conceptually as something of a rueful inside joke to myself. We Ms. Megaton Man kicking the shit out of a robot. What we don't see is her tackling everything bothering me at the time, including bogus "closed-curtain" non-profits and their night-flight "Not My Presidents," white-male-supremacist Comics-Gay-Haters, and genuinely indifferent privileged assholes or all stripes, investing this image with some really positive energy. On the level of a nice drawing and colorful megahero illustration, I hope you enjoy!
Original Post: November 16, 2018:
Let's hear it for the Social Justice Warriors - Rod Serling, Stirling Silliphant, Gene Roddenberry, Norman Lear, Larry Gelbart, Stan Lee - without whom we wouldn't have many of the historic mid-century entertainment and enduring media franchises we know and love today. (Why, if The Mighty Thor were being launched today, Dr. Don Blake would be a legal abortion provider in an under-served region of the U.S., fighting regressive politicians with reason and religious hypocrites with Norse Neo-Paganism!)
In that spirit, Clarissa James is also a progressive activist fighting for social change - okay, she's just kicking robot ass in this pencil sketch - but she was ahead of her time in the 1980s, and is still committed to making the world a more inviting, inclusive, tolerant and loving place. If that's token suburban armchair liberalism, I find it preferable to the looks-like-me Occupy Utopia - or sterile, low-hanging fruit crass propagandistic scrawling that passes for political cartooning these days - or the phony-populist Redneck separatist extremes on tap today. We've got to first imagine a better world before we can realize one, and that should be art and entertainment's laudable if humble goal.
(And I'm keeping a Blacklist of anyone associated with Comicsgash - they will never work on Ms. Megaton Man, Social Justice Warrior or any of the Megaton Man or Bizarre Heroes universe titles!)
All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2020, all rights reserved.
Here's the inking and coloring of a drawing that began as a sketch in 2018, and conceptually as something of a rueful inside joke to myself. We Ms. Megaton Man kicking the shit out of a robot. What we don't see is her tackling everything bothering me at the time, including bogus "closed-curtain" non-profits and their night-flight "Not My Presidents," white-male-supremacist Comics-Gay-Haters, and genuinely indifferent privileged assholes or all stripes, investing this image with some really positive energy. On the level of a nice drawing and colorful megahero illustration, I hope you enjoy!
![]() |
| Clarissa James, robot shit-kicker! |
Original Post: November 16, 2018:
Let's hear it for the Social Justice Warriors - Rod Serling, Stirling Silliphant, Gene Roddenberry, Norman Lear, Larry Gelbart, Stan Lee - without whom we wouldn't have many of the historic mid-century entertainment and enduring media franchises we know and love today. (Why, if The Mighty Thor were being launched today, Dr. Don Blake would be a legal abortion provider in an under-served region of the U.S., fighting regressive politicians with reason and religious hypocrites with Norse Neo-Paganism!)
![]() |
| It's times like these I wish I had an inker to pass off these pencils to ... |
In that spirit, Clarissa James is also a progressive activist fighting for social change - okay, she's just kicking robot ass in this pencil sketch - but she was ahead of her time in the 1980s, and is still committed to making the world a more inviting, inclusive, tolerant and loving place. If that's token suburban armchair liberalism, I find it preferable to the looks-like-me Occupy Utopia - or sterile, low-hanging fruit crass propagandistic scrawling that passes for political cartooning these days - or the phony-populist Redneck separatist extremes on tap today. We've got to first imagine a better world before we can realize one, and that should be art and entertainment's laudable if humble goal.
(And I'm keeping a Blacklist of anyone associated with Comicsgash - they will never work on Ms. Megaton Man, Social Justice Warrior or any of the Megaton Man or Bizarre Heroes universe titles!)
Read the YA prose Ms. Megaton Man™ Maxi-Series! New chapter every Friday!
All characters, character names, likenesses, words and pictures are ™ and © Don Simpson 2020, all rights reserved.
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