I had often wondered what caused readers of popular fantastic
fiction to spend as much time, if not more, poring over the writings of Emil
Reardon Ryerson, Grover Edwin Honath, and Henry Potsdam Lipschitz, and
memorizing shelves of information of completely made-up worlds like Whagool or
the Daemonic Ravines of New Hampshire, or the Antediluvian Age, and yet be unwilling to put the same energy
into public school, and later a master’s degree in history, philosophy, or
French Medieval lit?