#146: Megatron Man #1

“Chase Bradford’s comic book has been published? By a real publisher? That’s wonderful,” I said. I had seen much of the original artwork while he was working on it, but being busy with grad school myself, hadn’t been in touch with the aspiring cartoonist in quite a while. “How do you know, Nancy? Have you seen it?”

Sketching After Squirrel Hill

I probably know the Pittsburgh neighborhood of Squirrel Hill and the surrounding East End (Shadyside, Oakland, Point Breeze, Polish Hill, Friendship, Wilkinsburg, et al) better than any place I've never actually resided. For many years, I taught cartooning workshops at the Pittsburgh Center for the Arts, bought art supplies at Artists and Craftsmen and other places, footwear at Little's Shoes, and on and on.

I must have walked by and certainly driven by the Tree of Life Congregation countless times between the main drag on Murray and Forbes and PCA - although I didn't know what it was called. I almost walked out there last Friday, before the awful events of last Saturday.

Clarissa James (Ms. Megaton Man) with Deirdre Denton, flanked by Simon Phloog, Preston Percy, and Kozmik Kat. Stella Starlight and Trent Phloog (Megaton Man) are in the background. Rough sketch; I'll pencil something tighter soon.

I keep thinking about how close it is to Halloween, and how awful it must be especially for kids in that surrounding neighborhood. I drew this with that in mind - a quickie before class. I seldom get much time to draw during the school year, as I teach college for two schools. But the thought came to me of my characters walking their children through the Squirrel Hill neighborhood, past the Tree of Life.

This is a very rough sketch and on every level a completely inadequate response, but what I have in mind is a time in America that now seems quaintly nostalgic in so many ways - when Rob and Laura Petrie had Jewish neighbors - Millie and Jerry Helper - and I grew up with at least four Jewish families on my block - the Freemans, the Tolchins, the Bornsteins, and the Sandubraes.

That ecumenical mid-century America seems almost a lost utopia now, but it doesn't have to be. Every time I pick up my pencil, I want to make it real again.

Points from the Paint: Clarissa vs. Fanny!

Here is a couple of unpublished pages from c. 1993 featuring Clarissa James (Ms. Megaton Man) and Donna Blank, the Phantom Jungle Girl, shooting some hoops on some suburban driveway. This sequence was intended to be a part of Bizarre Heroes, and I don't know why I was too lazy to ink the sparse backgrounds and finish them up (including the last panel with Jasper Johnson, Rubber Brother). This scene offers some important backstory to the Phantom Jungle Girl and her historical origins and I still may use it as a flashback scene in some future project.

What is unusual about these pages is that they are largely inked with a Hunt #102 crowquill pen and some brush on plate finish Bristol, which inks a lot smoother than the usual medium surface Bristol I used with brush. It is also significant that my female characters tended toward more realistic proportions much earlier than my male characters. Prior to this, I tended to make everyone cartoony so as to match the unwieldy proportions of Megaton Man, a tension that I struggled with for far too long. One of the reasons I always found some release in drawing Ms. Megaton Man was precisely this release from the feeling that everything in the Megaton Man narrative had to appear exaggerated and humorous. By this time I was growing comfortable with the idea that things could be light and humorous (and character-driven instead of parody-driven), and drawn in a less forced way.

Sandball Goddess: Some Art Historical Swiping

Just to show that I'm not always swiping from my old sketchbooks, here I am swiping from art history. In fact, when I taught a class in art history last fall at Carlow University, I realized that the work I was swiping (a sculpture from a niche at CMU) was actually a swipe of a specific figure from a famous temple in India:

Erotic figures, Kandariya Mahadeva Temple, Khajuraho, Madhya Pradesh, India, c. 1000 CE. Chandella dynasty.

Scribe figure, Fine Arts Building, Carnegie Mellon University, Pittsburgh (my photograph).

Clarissa in beach volleyball attire, sketchbook drawing, c. 2010.

What is interesting is that the first figure appears to be grinding makeup, while the CMU adaptation has the same figure doing something more scholarly, presumably writing on a notepad or book of some sort. I'm not sure what Clarissa is doing; perhaps jotting down a play for competition. I'd like to do a complete comic book someday that is nothing but swipes from various art historical sources, and let readers guess where each is from.

The Ms. Megaton Man Story: Told in Pictures and Panels

This blog is under construction, but for the time being, here are some pictures to look at: